By Constantine Tung; Colin Mackerras
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Extra resources for Drama in the People's Republic of China
Iii. 465488; Cliff Edmunds, "Politics and Historiography after the Great Leap; the Case of Chien Potsan," F. , Maoism and Revisionism in China: 194979. 4, 1959. For an explanation of these terms of economic organization and structural change during 1958, see Cheng Chuyuan, Communist China's Economy 19491962. (Seton Hall University Press, 1963).
See note 21. The nine model plays are: Zhiqu Weihushan (Taking Tiger Mountain by Strategy), Hongdeng Ji (The Red Lantern), Shajiabang, Hai Gang (On the Docks), Longjiang Song (Song of the Dragon River), Hongse Niangzijun (The Red Detachment of Women), Qixi Baihutuan (A Surprise Attack on the White Tiger Regiment), Pingyuan Zuozhan (Fighting on the Plain), and Dujuan Shan (The Azalea Mountain). The original Chinese was published in Renmin Xiju (December 1978). To me, the Maoists and the Cultural Revolutionists are radical in means and method, but conservative in ideal and ideology.
But whatever the case, with this tragic anticlimax the curtain falls. The Purposes of the Play—Political Campaign Commercial? It was intended to be an educational tool. And by reading the present into the past we can see how Wu protested on behalf of the people. . yet there was no liberty nor monetary pay 12. Since they might be borrowed to reflect the demands of the times, their meanings can be understood only by putting them into the contemporary political context. " In short, they wanted to abolish the postLeap distribution system.