By Geoff Pevere

Considering that its unlock in July 1970, Donald Shebib’s cost-efficient street motion picture approximately displaced Maritimers in Toronto has develop into probably the most celebrated Canadian videos ever made. during this learn of Goin’ Down the line, popular movie critic Geoff Pevere offers a fascinating account of ways a movie produced lower than principally improvised situations grew to become the main influential Canadian motion picture of its day in addition to a permanent cultural touchstone.
Featuring large interviews with the film’s key contributors, Pevere offers behind-the-scenes heritage and explores how the movie’s which means and interpretation have replaced through the years. He provides exact recognition to the query of why the film’s artistic mixture of documentary options, street motion picture tropes, and social statement have confirmed so renowned and influential in Canadian filmmaking for many years.

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Additional resources for Donald Shebib's Goin' Down the Road (Canadian Cinema, Volume 8)

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Courtesy of City of Toronto Archives, Fonds 200, series 1465, file 312: s1465_fl0312_it0054.

Listen Joey. It’s gonna be so different. There you can get all kinds of jobs. ’2 The city obliges. Everything, from this moment on, will be locked up tight as far as Pete and Joey are concerned. One of our first glimpses of Pete and Joey arrived in Toronto is through the window of a Scarborough house whose curtains are closed so the inhabitants can hide inside. They’re an aunt and uncle of Pete’s – and therefore the movie’s only suggestion of his family – who are horrified to have these rube Maritimers blown up on their front step.

Leiterman was my focus,’ McGrath told me in 2011. ’27 As did Shebib, who conferred constantly with Leiterman concerning camera set-ups, moves, and how to get the best possible image from often brutally ill-lit settings. Often, these discussions were spur-of-themoment affairs. Literally, the two men were figuring out the best way to shoot the movie as they went along. It might have had a script, story, 40 Beginner’s Licence and actors in the beginning and the end, but in between – in the actual assembly – Goin’ Down the Road felt powerfully akin to a documentary.

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