By Johnson Cheu

Even supposing its early motion pictures featured racial caricatures and solely Caucasian heroines, Disney has, in recent times, develop into extra multicultural in its filmic fare and its photograph. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the 1st African American princess within the Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy tale three, Disney movies have come to either reflect and effect our more and more various society. This essay assortment gathers contemporary scholarship on representations of variety in Disney and Disney/Pixar motion pictures, not just exploring race and gender, but additionally drawing on views from more recent parts of research, fairly sexuality/queer reports, severe whiteness reports, masculinity experiences and incapacity stories. overlaying a wide range of flicks, from Disney's early days and "Golden Age" to the Eisner period and present fare, those essays spotlight the social effect and cultural value of the leisure large.

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Extra info for Diversity in Disney Films: Critical Essays on Race, Ethnicity, Gender, Sexuality and Disability

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Hollywood producers were even asked to include Latin American themes in their movies to attract Spanish–speaking viewers and to bolster good will between the continents. Twentieth Century–Fox released a string of films highlighting Latin American topics, including Down Argentine Way (1940), That Night in Rio and Weekend in Havana (both 1941). Following Fox’s success, other studios followed suit. S. audiences across the nation became familiar with entertainers like Xavier Cugat and Desi Arnaz. Nonetheless, it was clear that the strategy of advancing the “Good Neighbor” policy by including Latin American themes in Hollywood films was, by any measure, a dismal failure.

Robert Stam, Reflexivity in Film and Literature from Don Quixote to Jean-Luc Goddard. (New York: Columbia University Press, 1992), 21. 3. José Piedra, “The Three Caballeros”: Pato Donald’s Gender Ducking. Jump Cut: A Review of Contemporary Media no. 39 ( June 1994) 23, 112. 4. Julianne Burton, “Don ( Juanito) Duck and the Imperial-Patriarchal Unconscious: Disney Studios, the Good Neighbor Policy, and the Packaging of Latin America” in: Nationalisms & Sexualities , Andrew Parker ... ], eds. (New York: Routledge, 1992), 31.

Thomas Jefferson, Notes on the State of Virginia. Philadelphia: Pritchard and Hall, 1788, 264 –265. 9. ” Exhibition, William L. Clements Library and Center for Afroamerican and African Studies, University of Michigan, Oct. 19, 2009–Feb. 19, 2010. 10. Joel Chandler Harris’ “Uncle Remus” books became classics for their supposed authentic offerings of African American vernacular, storytelling and cultural detail. The heroic trickster tales of “Bre’r Rabbit, Bre’r Bear and Bre’r Coon,” for example, emerged from his writings.

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