Letter from the HQ

Letters & Comments

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The complain List

Dropping the Pin—Why girls aren't continually down with location-based apps. | Thursday Bram

Riffs of Passage—Three L.A. bands with greater than song on their brain. | Tina Vasquez

It's My Party—How conspicuous intake turned the topic of candy Sixteens | Ruby Bilger

What occurred to domestic Economics?—The upward push and fall of a contested self-discipline. | Christen McCurdy

Mock & Awe—Janet Mock on truth-telling, neighborhood development, and writing the tale she were expecting her entire lifestyles. | Tina Vasquez

Meeting within the Middle—A dispatch from the Badlands. | Dianna Anderson

Out of the Frame—How information and pa tradition imprecise immigrant ladies | Celena Cipriaso

The Unmappable Woman—Historians' efforts to pin down Isabelle Eberhardt | Erin Gilbert

Hot lower than the Bonnet—The cooptation of Amish tradition in mass-market fiction. | Audrey deCoursey

Mapping Middle-Earth—Lord of the earrings tourism and New Zealand's panorama. | Camille Owens

Black to the Future—How girls in pop are sporting the mantle of Afrofuturism | Alley Pezanoski-Browne

Adventures in Feministory Comics: Mitiarjuk Nappaaluk Virginia Paine

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Read or Download Bitch, Issue 62: Maps & Legends (Spring 2014) PDF

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Extra resources for Bitch, Issue 62: Maps & Legends (Spring 2014)

Example text

I want to elevate the conversation and I’m interested in growing support in communities of color for Redefining Realness. We’re being strategic about who we talk to and work with. If I do find myself in a sticky situation, I’m excited to f lip the media around on itself. It’s the review process I’m not looking forward to. Because you don’t think reviewers will get it? Because there’s a natural inclination to “other”—it’s something that happens to my communities a lot. It happens when you don’t think you can relate to someone’s story, even though my story is so much more than being trans.

There are more of us out there now, like Laverne Cox and Isis King, but it wasn’t something I thought anything of initially. I was just a black girl living my life. Redefining Realness is groundbreaking, and one of the reasons is that it’s the first memoir of its kind by a trans woman of color. When you were writing it, did you understand the magnitude of what you were doing? When you’re in the process of writing, you don’t think about the end result, or at least I didn’t. I was just trying to get through it and be as honest as possible.

My friend, the journalist, and I were all part of the very small black-women media world, and if you’re a journalist and you hear that a black girl working for People is secretly trans, you’re going to want to write that story. I wanted the story of a trans woman of color written, I wanted a story out there that I should have been able to read growing up. But weirdly, I didn’t know I’d have to be the one to write it or that it would be my story. Was the attention overwhelming? I mentally prepared myself, but there’s no way of knowing how these things will play out.

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