By Gordon Burn
How does it consider to be by no means allowed to die? during this vintage debut novel, Gordon Burn takes Britain's greatest promoting vocalist of the Nineteen Fifties and turns her tale into an equation of megastar and homicide.
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4). com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-03-13 of Karl Jaspers: Psychology and literature can be complementary disciplines. 1057/9780230290440 - Madness in Post-1945 British and American Fiction, Charley Baker, Paul Crawford, B. J. indd 20 8/25/2010 3:00:07 PM Mental States 21 As Rieger suggests, given that the majority of literature examines people, personality, and psychology, we once again stress our argument that it should be no surprise that a large proportion of this literature thus examines what we might term the otherness of these elements – that which psychiatry terms psychopathology, the clinical collective term for madness.
Indd 35 8/25/2010 3:00:08 PM 36 Madness in Post-1945 British and American Fiction Could there be wires in the walls? I had contemplated often, with distressing inconclusiveness, that there might be no other earthly reason for their taking me to the toilet, as they did now and then, and leaving me there for hours, except for the purpose of spying on me in isolation. I know, I know, these are not the thoughts of a rational man. Indeed, if I had heard these theories expressed by anyone I should immediately have categorised them as brilliantly typical of a certain kind of person with whom I shared residence.
4) Morgan continues his assertion that madness is a particular human characteristic by suggesting that we ‘can only truly understand what it means to be human, and correlatively, what it means to experience mental distress, if we understand the multiple ways of living different forms of life’ (p. 5). Madness occurs differently for each human affected by it, and to appreciate the individuality of madness a simultaneous appreciation of the singularity of living is needed. Lillian Feder, in her highly regarded text Madness in Literature (1980), eloquently reiterates this argument within a more tangible framework, suggesting: In literature, as in daily life, madness is the perpetual amorphous threat within and the extreme of the unknown in fellow human beings.