By J. Douglas Clayton, Yana Meerzon

This ebook considers the hundred years of re-writes of Anton Chekhov’s paintings, providing a large geographical panorama of Chekhovian impacts in drama. the quantity examines the elusive caliber of Chekhov’s dramatic universe as an difficult mechanism, an engine within which his enigmatic characters exist because the dramatic and mental ciphers now we have been de-coding for a century, and proceed to do so. Examining the perform and the speculation of dramatic variation either as intermedial transformation (from web page to degree) and as intramedial mutation, from web page to web page, the book offers model because the rising style of drama, theatre, and picture. This development marks the performative and social practices of the hot millennium, highlighting our epoch’s have to have interaction with the heritage of dramatic kinds and their evolution. the gathering demonstrates that model because the perform of transformation and as a re-thinking of ordinary dramatic norms and style definitions ends up in the rejuvenation of present dramatic and performative criteria, pioneering the construction of recent traditions and expectancies. because the significant mode of the storytelling mind's eye, model can construct upon and force the audience’s horizons of expectancies in theatre aesthetics. for this reason, this quantity investigates the unique and transformative wisdom that the tale of Chekhov’s drama in mutations bargains to students of drama and function, to scholars of contemporary literatures and cultures, and to theatre practitioners worldwide.

 

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Minkin, Aleksandr. Nezhnaia dusha. Web. 9 Dec. 2011. Papernyi, Zinovii. ” Critical Essays on Anton Chekhov. Ed. Thomas A. Eekman. Boston: G. K. Hall, 1989. 160–69. Print. Pitcher, Harvey. The Chekhov Play: A New Interpretation. London: Chatto and Windus, 1973. Print. Polotskaia, Emma. “Vishnevyi sad”: Zhizn’ vo vremeni. Moscow: Nauka, 2003. Print. Rayfield, Donald. Anton Chekhov: A Life. New York: Henry Holt, 1998. Print. Understanding Chekhov: A Critical Study of Chekhov’s Prose and Drama. Madison: U of Wisconsin P, 1999.

75–86. Print. Esslin, Martin. ” A Chekhov Companion. Ed. Toby W. Clyman. Westport: Greenwood Press, 1985. 135–45. Print. Frye, Northrop. Anatomy of Criticism: Four Essays. New York: Atheneum, 1970. Print. Gilman, Richard. Chekhov’s Plays: An Opening into Eternity. New Haven: Yale UP, 1995. Print. Gottlieb, Vera. Chekhov and the Vaudeville. Cambridge: Cambridge UP, 1982. Print. Kuyl, Ivo. “The Objectivity of Parody. ” 1894: European Theatre in Turmoil. Ed. Hub. Hermanns, Wessel Krul, and Hans van Maanen.

Ryan, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore: Johns Hopkins UP, 2001. Print. Sanders, Julie. Adaptation and Appropriation. London: Routledge, 2006. Print. Senelick, Laurence. The Chekhov Theatre: A Century of the Plays in Performance. Cambridge: Cambridge UP, 1997. Print. ” Chekhov the Immigrant. Translating a Cultural Icon. Ed. Michael C. Finke and Julie de Sherbinin. Bloomington: Slavica, 2007. 69–83. Print. Stam, Robert.

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