By A. Sanguineti
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Extra info for 200 Victorian Fretwork Designs: Borders, Panels, Medallions and Other Patterns
27 It appears carved or painted on little boxes (Minnekiistchen), on combs, mirrors, frescos, tapestries, stained glass, and various other luxury objects. It turns up in the decoration of churches, convents, city halls, castles, and Patrician houses. 28 Sometimes the scene appears together with other scenes of lovers, occasionally the orchard scene is part of a longer visual narrative of Tristan, and sometimes the scene appears alone. 29 As scholars have argued, the scene's appeal is partly due to its multi-valency.
The later fragments present a rather different relationship between word, image, and story because their banderoles create a narrative out of the image that is specific to Tristan. The inscription on the Mechelen fragment, for example, refers to a particular version of the story in which 48 KATHRYN STARKEY Isolde makes Tristan aware of her husband Mark in the tree above by pointing out the fish in the fountain, and thus drawing his attention to the eavesdropper's reflection. ]. The name "triestra" that appears in the utterance on the banderole and the direct reference to a plot development connect this image inextricably with the story of Tristan.
Moreover, lovers frequently play chess to while away their time in the courtly romances of the thirteenth century and later. Winkelman has demonstrated that the chessboard frequently appears in visual representations of the enclosed garden of love, another popular medieval motir_3 8 But, as Michael Camille shows, the game of chess is more broadly associated with courtly love in the visual arts and often appears as an allegory for the rules and strategies used by the lovers. 39 Gottfried von StraJ3burg draws on this association of chess with the strategies of lovers in the fateful episode in which Mark's cupbearer Marjodo discovers Tristan and Isolde's love affair.